BrandVideoAI

What each vendor's terms say about commercial use

What moves and what does not when you change supplier

Changing supplier moves a permission and leaves everything else where it was. Consent records travel, input logs travel, and the licence position has to be read again from scratch. As of 2026-09-12.

What belongs to the material, and what belongs to the supplierConsent records and input logs are owed to people and describe material, so they travel. The licence position belongs to a supplier relationship and has to be read again from scratch.What survives a change of toolingOnly the materialTravelsreleases and consent, input logs, thedelivered filesBoth listsBoth touchwork already published, governed bythe old termsOnly the supplierDoes not travelthe licence position, plan structure,any mechanismA production that cannot date its back catalogue has to treat all of it as uncertain
Fig. 1 A change is a good moment to ask what was never asked the first time.
What survives a change of tooling and what does not. Recorded 2026-09-12.
ItemDoes it travel
Consent and releases for people in the materialYes: they are owed to the person
Input logs and sourcesYes, and they keep answering questions
The licence positionNo: read the new supplier's documents
Anything already publishedUnaffected, and still governed by the old terms

Inclusion rule. Parts of a production's rights position, sorted by whether they belong to the supplier relationship or to the material. Order. From what belongs to the material to what belongs to the supplier.

1The durable records are the ones about people and material

A release from somebody who appeared in a video is owed to that person and does not care which tool rendered the frames. The same is true of a list of what went in.

That is the argument for treating the input column of a register as the one that outlasts everything else. Licence questions move with suppliers; consent questions stay with the material.

2The licence position is not portable

A new supplier means a new document, a new plan structure and possibly a new mechanism entirely: a condition on an avatar rather than a tier, a threshold rather than a price. Nothing carries over.

Which makes a change a good moment to ask the questions that were never asked the first time, while there is still leverage and no deliverable waiting.

3Work already published stays where it was

Material produced under the old supplier remains governed by the terms that applied then. That is why the dated log matters: it separates the deliverables covered by one position from those covered by another.

A production that cannot draw that line has to treat its whole back catalogue as uncertain, which is a much larger problem than reading one new set of terms.

4Where the vendor statements are kept

The mechanics above apply to anyone. What a given vendor has committed to in writing is held on the register instead, each line with the plan page it came from and the date it was checked.

An explainer, not an entry in the register. Vendor statements are held, with their sources, on commercial use, and nothing on this page is legal advice. Related: Running weights, Consent paperwork.

5A generator's account of it

Alongside the terms behind “Changing vendor”, SceneMixer's guides describe the work itself this way:

For places, every photo you add becomes a set the shots can move through, up to four.

SceneMixer, An AI Ad for a Store or a Property — “Can I add several rooms?” (read 2026-10-13)

AI Edit Image on a step-2 card keeps the same character and applies a short change you describe — navy blue shirt, short curly hair, smiling — then Apply Edit.

SceneMixer, AI-Editing a Sheet: Outfit, Hair, Expression (read 2026-10-13)